Edens Edge on the Cusp of Country Stardom

Written by CMT News. Posted in Entertainment News

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Edens Edge on the Cusp of Country Stardom

Published on July 16, 2012 by CMT News

Edens Edge
With a debut album, a hit song and a big tour, Edens Edge is right on target.
The trio will travel with Rascal Flatts this summer, showcasing the singles
“Too Good to Be True” and “Amen.”

“We
call it an eight-year overnight success because we had been dreaming about moving to Nashville for a long time,” says Hannah
Blaylock, who relocated to Nashville with bandmates Dean Berner and Cherrill Green in 2007. The Arkansas natives met through
mutual friends.

“The other day, I actually looked at Cherrill and was like, ‘Do you remember when we would drive around
in Russellville, Ark.?” Blaylock recalls. “We’d say, ‘Man, it’s going to be so cool someday to move to Nashville and do what
we love.’ We’d just sit there and dream about it to each other.”

Once in Nashville, they kept their performances private
– with most shows taking place in the living room of the house they shared in East Nashville. By hiding out and working on
their music, they say they were able to develop under the radar and curb any outside influences from seeping into their sound.

Well-established
songwriter Kye Fleming encouraged them to move from Arkansas to Music City after hearing material they submitted for a songwriting
competition. And she continued to champion and mentor them upon their arrival. When Fleming was inducted into the Nashville
Songwriters Hall of Fame in 2009 with credits like Barbara Mandrell’s
“I Was Country When Country Wasn’t Cool,” Ronnie Milsap’s “Smoky Mountain
Rain” and Sylvia’s “Nobody,” she asked the band to perform a medley of her
compositions at the induction ceremony.

“It was such a special night for us,” says Green. “We had not at that point
been playing out in Nashville at all, so it was really a showcase for us to the music industry. The entire music industry
goes to those things.”

That very night, Big Machine Records’ CEO Scott Borchetta walked up and scheduled a meeting.
When they arrived in his office the next morning, he offered them a record deal.

Yet looking back, they realize they
almost missed their shot at the big time.

“Do you remember the night of the [Songwriters Hall of Fame] awards show?”
Berner asks his bandmates. “There was a video on Tammy Wynette, and we
were supposed to go backstage during that. Someone was going to come get us and take us backstage, and it didn’t happen. We
looked at each other like, ‘We’re supposed to be back there.’ We headed backstage, and we had to run all the way across the
backstage and grab our instruments. We didn’t have time to think about anything, about getting nervous before our performance.

“We
walked out, we plugged in, and they were like, ‘… and here’s Edens Edge.’ We played the medley of Kye’s songs, and it was
actually fortunate that we didn’t have any time to prepare because we would’ve probably gotten nervous. We just showed up
and did it,” Berner added.

“One of the biggest challenges of performing is not letting your mind get the best of you.
We were fortunate that we didn’t have time to get nervous,” Blaylock says. “The best thing that you can do is turn your brain
off, just not think about it. Don’t think about the people that are out there. Don’t think about what anybody else thinks.
Just have fun in the bliss of hearing the music that you’re making, not only with each other but that you’re making inside
of your own body and your own fingers.”

Blaylock stands front-and-center as the lead singer, but the band’s sound is
rooted in three-part harmony and unique instrumental lineup. Berner’s Dobro licks and Green’s mandolin skill give their music
almost an old-time feel, even as the songs and singing are quite contemporary.

Green says growing up in a family bluegrass
band helped prepare her for the big stage.

“I think my first festival I was about 2 weeks old, so I just grew up around
music constantly. At festivals, you’re always going to these little jam sessions where you’re just walking along with your
instrument and you just sit down and someone starts playing,” she says.

“Also, it was my chance to play in front of
people. I grew up with a family in a bluegrass band, so being onstage in front of people was one of the most valuable things
in becoming an artist and performer. It’s learning to wipe away the fact that you’re standing up in front of all these people.
When you’ve been around it, it feels more and more natural.”

With their debut single, “Amen,” making waves at country
radio in 2011, the trio hit the road with Reba McEntire, Lady
Antebellum
and Brad Paisley. Their dramatic video for “Too Good to
Be True” is now on CMT.com, and a deluxe edition of their album is available at Cracker Barrel.

People are already
approaching the band with questions on how to break into the business.

“I had a fan email me and was like, ‘What did
you do in your life to get to where you are today?’” Blaylock recalls. “I started listing different things that I did, and
it was overwhelming to read it all at once. I finally said, ‘I’m sorry if I’ve overwhelmed you, but honestly what I was doing
was just doing what I loved. … So if it’s a passion for you, you don’t need to worry about it. You’ll want to do it when
opportunities come and God will open the doors for you.’ It was crazy to see the list because it’s really proved to me that
I love what I do.”

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