OFFSTAGE: Why Jason Aldean Should Cover David Allan Coe at Wrigley Field

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OFFSTAGE: Why Jason Aldean Should Cover David Allan Coe at Wrigley Field

Published on October 19, 2012 by CMT News

Jason Aldean
(CMT Offstage keeps a 24/7 watch on everything that’s happening with country music artists behind the scenes and
out of the spotlight.)

Standing out in Wrigley Field’s right field Thursday (Oct. 18), talking to Jason
Aldean
about his show slated there for next summer, I was kind of lost in the moment. I mean, that is legendary ground.
And it was an honor to be standing close enough to the ivy-covered outfield wall to touch it. There is just so much about
Chicago’s Wrigley Field that makes it epic. Those walls, for example, covered still in the ivy planted in 1937. The hand-turned
scoreboard that overlooks center field. And the lights that went up, reluctantly, in 1988.

But this is the Wrigley
Field story I love the most: Singer-songwriter Steve Goodman‘s ashes were scattered
there in 1988. He died in 1984 of leukemia at age 36. Goodman wrote and recorded “City of New Orleans” (recorded by Arlo
Guthrie
, Willie Nelson and John
Denver
, among others). But Goodman’s other major country hit was the 1975 David
Allan Coe
smash “You Never Even Called Me By My Name.”

The song is covered so often at country shows that I know
plenty of fans who think it’s called “You Don’t Have to Call Me Darlin’, Darlin’.” Or even “The Perfect Country and Western
Song,” because of the part in it when Coe talks about how he had to go back to Goodman for more lyrics to make it right, which
is when he added the famous verse about being drunk the day his mom got out of prison.

I’ve never heard Aldean cover
this Goodman song. But if there was ever a day for him to do so, July 20 would be it. Because he could sing it from the field
where the songwriter is at peace, with 40,000 enthusiastic background singers, making it quite literally, the perfect country
and western song.

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