Albums Chart Reflects George Jones’ Death

Written by CMT News. Posted in Entertainment News

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Albums Chart Reflects George Jones’ Death

Published on May 04, 2013 by CMT News

George Jones
The heart-size hole George Jones’ death left in the body of country music is already
manifesting itself on the Billboard albums chart. This week, two of his CD compilations make their debut while a third
returns to the Top 75 sales list.

Blake Shelton’s Based on a True Story
is once more the week’s bestselling album, and Thompson Square’s “If
I Didn’t Have You”
claims the title of most-played song on country radio.

The X Factor‘s Tate Stevens has
the week’s highest-debuting album — Tate Stevens. It enters the chart at No. 4 on an initial Nielsen SoundScan-confirmed
sales total of 16,830 copies.

The other new albums are the Statler Brothers’
Best From the Farewell Concert (No. 45), Country: George Jones (No. 57), Icon: Glen
Campbell
(No. 61) and Jones’ Heartaches and Hangovers (No. 68).

Returning albums include Jones’ The
Great Lost Hits
(back at No. 51), Don Williams’ And So It Goes (No. 62), Country:
Willie Nelson
(No. 63) and Country: Waylon
Jennings
(No. 65).

There are four new songs to note: Thomas Rhett’s “It
Goes Like This” (No. 43), Lee Brice’s “Parking Lot Party” (No. 53), Eric Paslay’s “Friday
Night” (No. 57) and Joe Nichols’ “Sunny and 75″ (No. 60).

With Shelton and Stevens
in the mix, No. 2, No. 3 and No. 5 albums, in that order, are The Band Perry’s
Pioneer, Florida Georgia Line’s Here’s to the Good Times and Brad Paisley’s Wheelhouse.

Rounding out the Top 5 most-played songs, in descending
order, are Florida Georgia Line’s “Get Your Shine On,”
Miranda Lambert’s “Mama’s
Broken Heart,”
Lady Antebellum’s “Downtown”
(last week’s No. 1) and Kenny Chesney’s “Pirate
Flag.”

While we’re on the subjects of charts and George Jones, it bears pointing out that he charted 167 singles
over a 50-year run, an achievement that surpassed those of everyone else in country music, including the enduring Eddy
Arnold
.

No song was too morbid or too quirky for Jones to take a shot at. And with a voice like that, he always
hit a nerve or a funny bone.

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