Dirt Band’s Circle Album Reissued for 40th Anniversary

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Dirt Band’s Circle Album Reissued for 40th Anniversary

Published on March 27, 2013 by CMT News

Nitty Gritty Dirt Band
The great irony of the Nitty Gritty Dirt Band‘s landmark
1972 release Will the Circle Be Unbroken is that nobody realized how truly groundbreaking it was at the time.

generation-straddling collaboration between “West Coast longhairs” the Nitty Gritty Dirt Band and bluegrass, folk and country
legends like Doc Watson, Maybelle
and Earl Scruggs, it was considered something of a vanity
project at the time.

“We had just had a major pop hit with ‘Mr. Bojangles,’ so our band was all over the charts and
on pop radio, especially,” recalls band member Jeff Hanna. “So we had the leverage to make Will the Circle Be Unbroken.
If we had not had that hit, our record company wouldn’t have given us the freedom and budget to make a record. But we were
so passionate in wanting to do the Circle record, and they said, ‘Well, go ahead. You’re not totally crazy. You just
had this hit song.'”

The album put the Dirt Band on the country charts for the first time with “I Saw the Light,”
performed with Roy Acuff. But the bulk of the project’s recognition came
much later, as other artists and fans sang its praises.

“Bruce Hornsby did one of those ‘desert island disc’ QAs where
he was talking about the three or four albums he would take on a desert island, and Will the Circle Be Unbroken was
one of them,” Hanna recalls. “It really surprised me, and we were all really flattered by that. And then I met Bruce
years ago, and the first thing out of his mouth when I told him what band I played in was Will the Circle
Be Unbroken
and what an impact it had on him.”

It’s hard to imagine now, when everyone from B.B. King to the late
Notorious B.I.G. to Kenny G have duet releases on their resumes, but back in the early ’70s, such collaborative efforts were
rare. Rarer still was the uniting of what audiences then saw as a West Coast folk-pop band and their musical heroes from the
hills of Tennessee — traditional country and bluegrass artists who garnered skepticism even inside Nashville.

Nashville, somebody wrote an article that said, ‘Why are these guys recording an album with these quote-unquote dinosaurs?'”
Hanna recalls, adding, “which was really offensive to us! But I think we proved them wrong.”

All of which helps explain
why the original three-disc set, with its elaborate gatefold packaging, disappeared from record store bins decades ago. Of
course, the original Circle went on to become one of the most iconic albums of all time, certified platinum and sparking
two follow-ups (Volume Two released in 1989, Volume III in 2002). CDs and downloads have kept the music available
to fans, but the original experience has been long gone.

Until now. In honor of Circle‘s 40th anniversary, the
three-disc set has been remastered from the original analog tapes and rereleased on vinyl for the first time ever. A high-definition
digital HDTracks edition is also now available.

Hanna describes the remastered project as “returned to its glory.”

record was recorded all live,” he says. “And so a lot of the sound quality loss that you would get in analog recording by
mixing multi-track tapes down to quarter-inch stereo for your masters wasn’t an issue. There was no middle in the process.
It went directly to first generation tape, which gave it a really amazing, immediate, beautiful quality in the sound. We’re
really proud of the way the record sounded.”

The reissue is yet another sign of vinyl’s comeback, a trend spurred not
just by audiophiles but a generation raised on their parents’ and grandparents’ LP collections.

“There’s something
about the ritual of listening to a vinyl disc,” Hanna observes. “I think the process of putting the needle down, listening
to side one, flipping it over, listening to side two … there’s a whole generation of us that came up with that. It was a
tactile experience. And also,” he laughs, “the artwork on CDs requires magnifying glasses!”

Another irony of Circle
is that the music it introduced to mainstream audiences has indeed come full circle, living on today in such artists as Mumford Sons, the
and the Civil Wars.

Back in ’72, nobody quite
knew how to label the original Circle album. Hanna recalls that Earl Scruggs, who wouldn’t commit to the project until
he’d heard what the longhaired boys had been up to, listened to the track “Nine Pound Hammer” and responded, “Aw, well, that’s
just country!” Later when Circle celebrated its 30th anniversary, music journalists called it a “roots music” collection.

Today the popular label is Americana. Which begs the question: With the current marketability of Americana artists,
could there be a Circle IV in the future?

“That’s something we haven’t taken off the table,” Hanna says. “We
never thought we’d do a Circle II, and we ended up doing a Circle II and a Circle III.”

what Hanna appreciates most about the making of the album was the chance to perform with so many legends, most of whom have
long since passed away.

“People like Doc Watson, Earl Scruggs, Jimmy
, Mother Maybelle Carter and Roy Acuff — getting to play music with them was incredible,” he says. “It was extremely
fun and extremely scary, having that tape rolling with people that just played with such jaw-dropping, amazing musicianship.
And they were all so gracious! It was generation spanning, and it also bridged a cultural gap. A high water mark for our band,
for sure.”

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