Jason Aldean Owns the Crowd at Madison Square Garden Debut

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Jason Aldean Owns the Crowd at Madison Square Garden Debut

Published on March 04, 2013 by CMT News

Jason Aldean

NEW YORK CITY — With all the time Jason Aldean seems to be spending
in New York City lately, local fans are likely to try sneaking his name onto the ballot for this year’s mayoral race.

Tuesday (Feb. 26), he was at Times Square’s Best Buy Theater throwing down in an all-star guitar pull alongside legends like
Vince Gill and Emmylou
during the All for the Hall fundraiser for the Country Music Hall of Fame and Museum in Nashville. And just four
days later, he was about a half-mile south to perform for a sold-out house at his Madison Square Garden debut.

arena’s capacity is roughly 18 times that of Irving Plaza, the New York club where Aldean appeared in November 2010 to celebrate
the release of his My Kinda Party album. Between then and the October 2012 unveiling of the follow-up, Night Train,
Aldean’s career exploded into a new level, moving him from country superstar status to the kind of crossover stardom his pan-genre
approach has always seemed to warrant.

Saturday (March 2) was not only Aldean’s night to howl but his chance to show
his newly-expanded New York audience exactly what they’d signed on for, and he embraced the opportunity, opening the show
with guns ablaze. The one-two punch of his 2010 hit “Crazy Town” and the No. 1 Night Train single “Take
a Little Ride”
showed his fondness for blistering, ’80s-inspired hard-rock guitar riffs and stomp-along beats evoking
the image of Def Leppard donning cowboy hats.

Digging into the My Kinda Party hit “Tattoos
on This Town,”
Aldean made it clear he knows how to work an arena, running to microphones stage left and right to pump
up each end of the venue before returning to his center stage perch. He slowed things down for a tune from the new album,
“When She Says Baby,” and pulled the beat back even further for the downcast ballad “The
from 2009’s Wide Open.

The couples in the crowd began to sway to the No. 1 My Kinda Party
single “Fly Over States” and then to Night Train‘s
opening cut, “This Nothin’ Town.” It became increasingly easy to observe that, unlike many of his contemporaries whose fans
are predominantly of a single gender, Aldean draws both the guys who’d like to have him for a drinking buddy and the girls
who’d like to have him for something else, all of them awash in a sea of plaid shirts (Aldean’s signature shirt choice).

balance tilted toward the rocking side again with “Johnny Cash,”
as the song opened with a fret-scraping guitar sweep worthy of vintage Van Halen. When “Amarillo
from Aldean’s self-titled debut gave way to the title track from the latest album, some of Aldean’s hypothetical
drinking buddies in the crowd engaged in a bit of hearty bro-dancing without ever spilling a drop of their beers.

is the first time I ever stepped foot in Madison Square Garden,” Aldean informed the crowd, adjusting the rearview mirror
in his mind’s eye as he explained he’d basically been on tour nonstop throughout his eight-year recording career and had spent
years before that slogging it out in small Georgia clubs and bars.

The video screens above the stage then displayed
a photo of a very young-looking Aldean as he launched into the new album’s “1994,” a snapshot of his youth that pays overt
homage to the Joe Diffie hit from that time, “Honky Tonk Attitude.” The
latter’s mix of classic country and raucous rock guitar obviously provided a blueprint for Aldean, whose own tune’s mix of
banjo picking, crushing AC/DC-esque riffs and the Eminem-inspired refrain (“Will the real Joe Diffie please stand up”) display
an even greater amount of syncretic skill.

An audible gasp arose from the crowd when a hologram of Kelly
appeared onstage to reprise her vocal role in the romantic power ballad “Don’t
You Wanna Stay,”
another My Kinda Party No. 1 single. But it was Wide Open‘s “Big
Green Tractor”
(another chart-topper) and Night Train‘s hip-hop-tinged “The Only Way I Know” that got the
flannel-clad females in the crowd moving. In fact, by the time the latter came around, they were veering dangerously close
to lap dancing sans lap.

To close out the set, Aldean amped up the energy, first with his biggest hit to date,
the country-rap amalgam “Dirt Road Anthem,” the song that
put My Kinda Party (and Aldean’s career) over the top, and then with the searing, Southern-rock-turned-up-to-11 riffs
of his huge 2008 hit, “She’s Country.”

Returning for a
double-barreled encore, Aldean stoked the intensity of both the set and the crowd even further with “My
Kinda Party,”
which climaxed with a fret-burning lead guitar duel, and “Hicktown,”
adding perspective to the latter with the introduction, “This is the one that started it all for us back in 2005. It’s been
one hell of a ride these last eight years.”

P.S. Bonus fan points for commitment go to the Aldean aficionado seen striding
out into the undeniably wintry New York night after the show with bare legs below her Daisy Dukes.

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